Tuesday, June 24, 2014

The Reluctant Jihadist by Geoff Thompson



People have been asking a lot lately about my new novel, The Caretaker.
It is very (hesitation) religious, they say.

As though I am not allowed (or perhaps, not qualified) to write about God, because usually I write about…other things: hard-men of repute, alcoholic brothers, paedophile priests, I create visceral theatre and challenging film where the social edit is spared and four letter words are used as terms of endearment.

People presume that you cannot find much of God in these dark places. Personally I find nothing but God here; in the cracks, in the vulnerabilities, in those delicious human fractures – that’s where the light gets in.

As a writer, actually as a human being, people struggle to know where I fit.
I struggle to know where I fit.

I have no exact category. I write books, plays, films, articles, I teach, I direct, I mentor, and I skive quite a lot. I enjoy what Eric Fromme would call a spontaneous life. I love being me. Spontaneity makes living in the world enjoyable but, I have to say, it makes me very hard to sell in the market place; I am a nightmare for agents, PR people and television commissioners.
When people hear the word religion they automatically read dogma, they presume you are either socks-and-sandals, hiding from the world behind layers of old scripture, or you are a fundamentalist, a jihadist who wants to make war with the world; same scripture, different interpretation.

God is a hard sell.

The word religion comes from the Latin re-ligare, it means to re-align, man to man, man to his source.From this perspective I am religious.
 
And Jihad derives from the Arabic, it means to struggle, the greater Jihad is the struggle with the self, where we go to war with false perception and limiting core beliefs. It seems I am a jihadist too; perhaps a reluctant jihadist because like most people I don’t want to suffer even though I innately know that there is no growth in comfort. And that is the nature of this book, The Caretaker. It is a fable about a man that seeks strength without struggle; he flirts with power but takes no reasonability for the office of power.

The Caretaker is a book about me. It is a book about me being bone-tired of listening to me and my own narcissistic whinging. I was going through a very selfish, self-pitying stage in my life, nothing came quickly enough, nothing seemed big enough or easy enough. I was constantly looking for wealth without work, growth without discomfort and skills without apprenticeship. I didn’t know how or where or why I had become so detached from my Logos, but purpose was lacking in my life, and as a consequence everything was an effort. I found myself complaining all the time about my lot and how, compared with others, it didn’t seem like I had much.

It was not true of course, I had breath in my lungs, there was bread on the table and I had as much opportunity as the next man, but at the time I couldn’t see it, I didn’t know how blessed I was, just to be alive. Embarrassed by my ingratitude, I decided to send an apology into the ether, a confession, a declaration of my many digressions. I asked (whoever was listening) please show me things as they are.

I was shown. I have to say it was a shock. It was jarring to look in the mirror and see the reflection of a fat, greedy, self-pitying man looking back at me. I couldn’t believe how ungrateful I had become and how easily, especially when I was surrounded on all sides by such luxury, such love. I was (am) married to the girl of my dreams, living in a house and making a living. I was the most blessed man I knew, and yet I still wanted more, without offering even a bead of sweat in exchange or word of thanks in return. I was practically living in the lap of luxury (I had running water!) and bemoaning my lack. I felt ashamed at how narrow minded I’d become, and how…lazy.

How had I become so very lazy?
The answer landed in my mind as quickly as the question had been asked: I had fallen into (what sages of old called) the forgetting. If we don’t remind ourselves on a regular basis of what we have, what we have will be taken from us, or at least hidden behind layers of false ego and twisted belief.
I realised in my moment of clarity that gratitude was a key, it opened the door to potential, and if gratitude was lacking, it locked the same door tightly shut. So I wrote what became known as The Enlightenment Prayer http://www.thecaretaker.co.uk something I could read every day to remind myself not to forget how much I had and how blessed I was, and to stop asking for things that I was not ready for yet. I was always asking for things that I was not ready for yet.

The prayer organically grew and became a short novel, written in parabolic form, and infused with the intuited wisdom of the ages.
The prayer began with the words:
Lord! God Almighty (The Universe)
A word if you don’t mind.
A word about me.
Actually, more precisely, a word about me and my specious requests.

 It is a muscular prayer. It demands that I take charge of my own life. It insists that the world cannot be changed, but I can, and in changing me, the world will change. It is a prayer that I read and listen to every time I lose my way; it kicks me up the backside when I fall into apathy or self-pity and forget to honour my suffering. It reminds me that growth is in struggle. Not the usual wrastle with outside forces, they are an easy distraction, rather the perennial struggle where I lean into the sharp edges and fight the only enemy worth my effort; myself. 





Tuesday, June 3, 2014

Engaging the digital generation with the tradition of storytelling

By Martin King, author of augmented reality book, Jack Hunter: The French Connection

For many of you, one of the greatest pleasures in life is curling up on the sofa with a cup of tea and a favourite book to lose yourself for an hour or so in an imaginary world that takes you somewhere far away.
You may have enjoyed the thrill of selecting a new book of the shelf, or the warm familiarity of a well-thumbed novel. Unfortunately today, for many young, and often reluctant, readers, this make-believe world is beyond their grasp as books sit unread on the shelves. And I should know, I used to be one.

As an author, it comes as a surprise to many that as a child I shunned books, preferring to enact my battles on the football field and find treasures within the sweet shop. The world of books had no draw for me, so how did I turn it around to become a published author? This is the story of how I found a passion for stories and how I went about converting others by turning the conventional book on its head to get other reluctant readers heading for the bookshelves.

As a child I wasn’t generally interested in books, and certainly never even entertained the idea of being a writer. When I was growing up, boys had only three future career choices; fireman, astronaut or footballer. I ended up working in marketing, and never found my true calling until four years ago, when I made the decision to write down the stories in my head, first for a friend and then for the public.

Seeing the stories in my head come to life was a novel thrill for me; I could see the castle walls, smell the salty air of the sea and feel the golden coins of the hidden treasure between my fingers. But I knew that however keenly I felt the adventure, many young readers would still shy away from reading a book. Statistics from Scholastic[1] suggests that half of parents (49 per cent) feel their children don’t spend enough time reading books for fun and prefer instead to play video games or visit social networking sites. It’s clear that the lure of technology is stronger than ever for young people but does it really mean the death of the traditional book?

For children, technology and gaming means being involved in the adventure. Recognising this desire made me want to experiment with technology and combine the two, seemingly incompatible, worlds: books and technology. There have always been children’s books that engage with readers beyond the written word, whether it’s giving options to choose different endings or including puzzles or clues within the book. Applying technology is taking this to a whole new another level, adding another element to get children interested in reading again. It’s easier than ever for authors to incorporate an added layer to children’s books with the sophisticated technology that is continually being developed, such as augmented reality.

Knowing the enjoyment that flicking through a physical book brings, I was determined that my foray into the technological world did not overshadow the most important element: the story.  I experimented with augmented reality, still a relatively new technology, to enhance my stories, finding a mobile app to be the best way to bring stories to life by scanning images within the book to open up a new world within a game.
The idea initially seemed incredible but I teamed up with some app designers and after much testing and tweaking, and many hours of both reading and game playing to ensure one did not overshadow the other, I finally felt I had found a way to encourage reluctant readers like myself to rediscover the power of imagination and the enjoyment of absorbing themselves in a traditional adventure, but with a very modern twist.